28 Reasons That ‘Twilight’ the Movie Is Better Than ‘Twilight’ the Book
The movie's more exciting, more fun, and way less annoying than Stephenie Meyer's gazillion-selling blockbuster.
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The 'Times' review of a new Naipual biography includes a few great anecdotes about him, but they're all trumped by this one.
Every critic wants to be Malcolm Gladwell. We thin-slice his critics into the following categories: Prigs, Wannabes, Accountants, and Haters.
'I just don't want to get stabbed or something.'
Binchy raps to Vulture about how she got her writing start from a kibbutz and taking the money and running.
We asked Alan Page, translator of the screenplays '21 Grams' and 'Babel,' to find out how Wimmer did it.
Goldwasser sifted through more than 800 personal essays to find the 58 authors included in 'Red: Teenage Girls in American Write on What Fires Up Their Lives Today.'
We talk to critic Ken Tucker about the 'great shallow masterpiece' 'Scarface' — and why Brian De Palma won't allow a new hip-hop soundtrack.
Mehta spoke to Vulture from Toronto about Bollywood, Hollywood, magical realism, and the X-Men.
If you want a Bolaño book that’s not going to tip your car over, 'The Romantic Dogs' has you covered.
If you’re thinking of quitting, try one of these first. It might inspire you to settle in and read the rest.
Is Roberto Bolaño's masterpiece, '2666,' really any more difficult than two seasons of 'Mad Men'?
Read it for Bolaño’s obvious improvisational delight in keeping the sentence afloat, phrase by phrase — a skill the critic James Wood once compared to 'someone punting a leaf.'
Crichton unexpectedly died in Los Angeles yesterday after a 'courageous and private battle against cancer,' according to a family spokesperson.
'You're not looking really at a naked man; you're looking at a model of a naked man. I know that's a rather fine distinction.'
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