Kehinde Wiley on the Difference Between His Art and His Cooking
'My cooking is more improvised. There's a lot more room for disaster.'
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'My cooking is more improvised. There's a lot more room for disaster.'
On his replacement, Thomas P. Campbell: 'We do not see eye to eye on everything.'
Philemona Williamson is taking up Judy Blume's cause: painting restive teenagers caught somewhere between sadness and surliness.
Sloane Tanen is an author and artist working in the capricious mode that has propelled Kay Thompson, Josh Schwartz, and Tina Fey to cult status: adolescent angst for adults.
Joshua Lutz’s ever-so-slightly-askew photographs at ClampArt through October 18 document ten years in the meadowlands.
The artist will be auctioning off her dreamy work at an Obama fundraiser.
This weekend's attempt to sell the elusive street artist's work was a spectacular failure.
Hiroshi Shafer has a show of strange, lewd, rubbery, resin-y works reminiscent of Murakami's pop figures.
Alessandra Sanguinetti's playful scenes have both a sense of impending glee and one of imminent doom.
Her show at George Billis Gallery was inspired by the varied decaying coffee cups she has strewn around her studios.
Although Starbuck's reintroduction of the pumpkin-spice latte means that fall has officially arrived, sculptor Michael Krebber is keeping the summer alive.
So where is Waldo? Probably holed up in his basement with stockpiled canned goods and a sawed-off Remington pump action.
Rilke observed that "every angel is terrifying," and that certainly goes for the rapture-ready seraph in this collage.
Tiravanija's work is based on photographs of demonstrations published in the 'International Herald Tribune' over the past six years.
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